Franklyn Ajaye


Walking back and forth also helps by creating the illusion that you are thinking of the routines on the spot, giving your performance a more spontaneous feeling.

If you do stories, or material with a lot of tags, or afterthought lines, you’ll probably have to cut those out. In other words, you’ll have to strip-mine your material and “lean” it up for time constraints.

This whole urban rap thing needs to be pulled back some. The ghetto is being glorified, and there's nothing good about the ghetto except getting out of one.

You must study their deliveries, their use of their bodies, their timing, and their use of audio and vocal effects.

Evaluate every performance on: stage presence, concentration, delivery, material and lessons learned.

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