My father never lived to see his dream come true of an all-Yiddish-speaking Canada.
David Steinberg Quotes and Jokes
A lot of young people make the mistake of going into comedy just because it's a lucrative business, as opposed to earlier, even Steven and I, we were in 'Second City,' we never... thought of going beyond 'Second City' in Chicago.
The worst thing that can happen to a comedian is to do a documentary on your life and you're watching it with an audience and there's not a laugh.
You get to a philosophy after a while that everything is sort of cycling in a way. You know I have a sort of capsulized philosophy that your success is so relative. When you’re a baby success is not wetting your bed. When you’re a teenager success is going all the way. When you’re a young man success is making money. When you are middle aged success is being happy. When you’re an old man success is going all the way. And when you’re really old it’s not wetting your bed.
I used to have a theory that I took almost through all the presidencies. And it was that you're either - it's like the Three Stooges. You're either a Moe, who's in charge, or a Larry, who wants to be a Moe, or you're Curly, who is nuts and totally just off the page.
The whole idea of doing the Hollywood thing never even occurred to me. When you grow up on the East coast, Hollywood seems like this fantasy land and you don't think that people can actually make a living there.
The thing about stand-ups is you can't really get good unless you're failing in front of a large number of people. That makes stand-up comedy unique: you need a tremendous amount of reserve within you to take the rejection from the audience, and without it, you can't do anything.
My father was a rabbi and had a little synagogue in Canada, so I'm from Canada. I left there at 16.
You can’t be comfortable in whatever that societal group is – kindergarten, school, basketball, whatever. You have to have an outsider point of view.
The one thing an audience always has in common with a comedian is troubles. The Yiddish word for that is tsuris. You're always putting your tsuris on stage whether you like it or not. No one is untroubled, unless they're just, you know, an imbecile.
The interesting thing about improvisation is you're making something up in front of the audience. Now music helps you out a little bit because you have an instrument that'll separate you from the audience.
Here's the rule that I set for myself, and I believe it - even on a show like 'Curb Your Enthusiasm': the more personal you are, the wider your audience.